R E B E C C A H A C K E M A N N

 

rebecca_h@stanfordalumni.org

 

212.561 0944

 

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Born: Karlsruhe, Germany, British national based in New York and Philadelphia, PA, USA

 

S E L E C T E D S O L O E X H I B I T I O N S

 

2 0 0 6         REAL FORM, public art project on Bedford Ave, curated by David Gibson, Williamsburgh, NY

2 0 0 4         Fish Tank Gallery, SIGHT UNSEEM, Dioramas and Stereoscopes with Jihyun Park, Brooklyn (Williamsburgh), NY

2 0 0 3         The Inc., "In Stereo", Hamilton, ON, Canada

2 0 0 2         Light Work residency and publication in "Contact Sheet", Syracuse, NY

1 9 9 9         Sightings Gallery/ Collaboration, San Francisco, CA

1 9 9 6         Sightings Gallery/Collaboration, San Francisco, CA

2 0 0 7          California Museum of Photography UC Riverside, "Illusions", traveling historical exhibition on the theme of optical illusion and it's history

 

E D U C A T I O N

 

2 0 0 0 – 01  Whitney Museum of American Art Independent Study Program, New York, NY

1 9 9 4 - 9 6  Stanford University, MFA Studio Art, Stanford, CA

1 9 9 1 - 9 4  University of Westminster (formerly Polytechnic of Central London), BFA (Honors) Film, Video and

Photographic Arts, London, England

1 9 9 0 - 9 1  Cambridge School of Visual and Performing Arts, A - Levels, Cambridge, England

 

 

S E L E C T E D G R O U P E X H I B I T I O N S

 

2 0 0 6        Gigantic Art Space, "The Golden Hour", curated by Erin Donnelly and Susanna Cole, New York, NY

                 CEVA, “From the Studio III, curated by Lia Gangitano, Participant Inc, Philadelphia, PA

                 PS 122, group show, New York, NY

                  Synthetic Zero Space, curated by Mitsu Hadeishi, sponsored by Bronx Council on the Arts, Bronx and New York, NY

                  The Foundry, Draw_ing 2, London Biennale, uncurated by Giacomo Picca, London, UK

                  Article Projects, Public Art Project in window, Long Island City, curated by David Gibson, Brooklyn, NY

                   Casoria International Museum of Contemporary Art, “self portrait – a show for Bethlehem”, curated by Wilfried Agricola de Cologne, Naples, Italy

2 0 0 5         Makor/Steinhardt Center, Real Art Today, exhibition in conjunction with artists’ talks, curated by David Gibson, New York, NY

AAF Art Fair, blasthaus, New York, NY

Explosivo Art Show”, Stay Gold Gallery, curated by Tracy Candido, Brooklyn, NY

photo sf art fair, blasthaus, booth 34, San Francisco, CA

Headlands Center for the Arts, open studios as part of 3 month residency, 4/24/05, CA

             Aratoi Museum in Masterton, postcard exhibition organized by Nicolas Dumit Estevez, Masterton, New Zealand

 

Spike Gallery, curated one day exhibition for benefit, New York, NY

Nurture Art Gallery, Paper, Papel, Papier”, Williamsburg, Brooklyn, NY

2 0 0 4         “Arrival: intimate Spectacles”, curated by Heng-Gil Han, Flushing Town Hall, Queens, NY

Timeless/Timeliness, curated by Dominique Nahas, catalogue available, Aljira Emerge 2003, Newark, NJ

London Biennale 2004, Draw_drawing, Gallery 32, curated by Giacomo Picca, Lonodn, UK

Los Angeles Center for Digital Art, “Snap to Grid”, Los Angeles, CA

Picture House Center of Photogrpahy, Leicester, UK

Lower Manhattan Cultural Council (LMCC), group exhibition, NYC, NY

2 0 0 3/4       Fishtank Gallery, group show, Brooklyn, NY (Gallery is now closed)

Yaddo residency, one month (April) Saratoga Springs, NY

                  Nurture Art, group exhibition "2 FRESH" , Williamsburgh/ Brooklyn, NY

                  16 Beaver Group, "Operation Now, Wow and How", curated by Marc Lepson, private space, New York, NY

                  Anti - War Poster Show, Drinkink Collective, Macy Gallery, Columbia University, New York, NY

                 

2 0 0 2         Art*O*Mat -- 'don't go round artless' vending machines, various locations including the Whitney Museum of

American Art

and New Museum Bookshop, New York, NY

                  Printed Matter, "The Ideal Sight Restorer" and "The Autopsy of an Historian", New York, NY

Sotheby's New Collectors, "Moments of Clarity: A Midsummer Night's Interlude", Sotheby's, NYC, NY

Light Work residency, one month, Syracuse, NY

Autoritratto, artists portray themselves, curated by Stafano Parquini, Bolognia, Italy

                  The European Biennial of Contemporary Art, 'Free Manifesta', Frankfurt, Germany

                  Exit Art, "Reactions", reactions to 9/11, New York, NY

                  Nurture Art, 'Fresh' box, benefit, New York, NY

                  Hallwalls, Buffalo, NY

2 0 0 1         Whitney Museum of American Art ISP exhibition, New York, NY

                  New Arts Program, Kutztown, PA

                  Open Space Gallery, "Fractured Family", Allentown, PA

2 0 0 0        Photo Metro Magazine, Honorable mention, editor: Bill Hunt/Ricco Maresca Gallery, NYC

New Jersey Center for Visual Arts, curator: Dan Cameron/New Museum of Contemporary Art, NYC,         Summit, NJ

1 9 9 9         Clement Gallery, "Dinner with Dali", Toledo, OH

                  Fraser Gallery, "Homage to Dali", Washington, DC

                  Open Space Gallery, "Awkwardology", Allentown, PA

1 9 9 8         Hallwalls, "Books and Boxes" Buffalo, NY

                  Highland Cultural Center, curated by Paul Kasmin Gallery, Highland, NY

                  Works Gallery, "Evoking the Unexpected", San José, CA

                  Sightings Gallery, "Small Works - Big Ideas", San Francisco, CA

1 9 9 6         Four Walls Gallery, San Francisco, CA

                  Photo Metro Gallery, "Annual Group Showcase", San Francisco, CA

                  Stanford University Museum of Art, MFA Exhibition, Stanford, CA

                  Central Arts Collective, "Merged Realities", Tucson, AZ

                  Printed Matter, "Scaled Down - a Handbook for Fishes about Humans", New York, NY

1 9 9 5         Photo Metro Gallery, "Annual Group Showcase", San Francisco, CA

                  City of Brae Gallery, "Carte Blanche", Los Angeles, CA

                  Woman Made Gallery, "Women and Surrealism", Chicago, IL

1 9 9 4         University of Westminster, BFA Exhibition, London, England

                  Museum of the Moving Image (MOMI), London, England

 

 

 

 

G U E S T     A R T I S T    L E C T U R E S

 

 

2 0 0 5                           Makor/Steinhardt Center, “Real Art Today” series, organized by David Gibson, New York, NY

Headlands Center for the Arts, invitational presentation, Sausalito, CA

2 0 0 4                           Pratt Institute, digital photography, visiting artist lecture, Brooklyn, NY

Flushing Town Hall, in conjunction with “Arrival – Intimate Spectacles” exhibition, panel discussion with Heng-Gil Han, Queens, NY

New York Stereoscopic Society, public lecture, Museum of Natural History, New York, NY

2 0 0 3                           Light Work public lecture, Syracuse University, Syracuse, NY

                                    The Inc, Hamilton, ON

2 0 0 2                           Parsons School of Art and Design, Art Department, senior class, New York, NY

                                    Parsons School of Art and Design, Art Department, senior class, New York, NY

2 0 0 1                           Whitney Museum of American Art ISP, slide presentation, New York, NY

1 9 9 6                           Stanford University, multiple slide presentations to undergraduate and graduate art students, Stanford, CA

                                    Stanford University, slide presentation for donors of the Art Department, Stanford, CA

 

 

A W A R D S / R E S I D E N C I E S

 

2 0 0 5                           Headlands Center for the Arts, three month residency with stipend, Marin Headlands, CA

                                    Fondation Valparaiso, one month residency, Almeria Playa, SPAIN (postponed)

2 0 0 3                           Yaddo, one month residency, Saratoga Springs, NY

2 0 0 2                           Light Work,one month residency, stipend, publication in "Contact Sheet catalogue" June 2003,   Syracuse, NY

                                    Aljira Emerge 2003, Newark, NJ

2 0 0 0 – 0 1                    Whitney Museum of American Art, ISP, studio space for one year in Manhattan, NY

2 0 0 0                           Photo Metro Magazine, 17th Annual Photo Contest, juror: Bill Hunt/Ricco Maresca Gallery, Honorable Mention and publication, San Francisco, CA

1 9 9 4 - 9 6                    Stanford University, graduate tuition, stipend, studio space, Stanford, CA

1 9 9 7                            Women's Studio Workshop, Artists' Residency, Rochester, NY (postponed)

1 9 9 4                           University of Westminster, funding for thesis research on "Diableries" stereocards form Paris

                                    1860's, London, England

 

C O L L E C T I O N S / B O O K S

 

                  MOMA book collection, New York, NY

Museé Franćais de la Photographie, Bievres, France

                  Fondation Suisse pour la Photographie, Zürich, Switzerland

                  Staatliche Museen zu Berlin, Kunstbibliothek, Berlin, Germany

                  Museum für Moderne Kunst, Frankfurt, Germany

                  Museum für Photographie, Braunschweig, Germany

                  Special Collections, Green Library, Stanford University, Stanford, CA

                  Sightings Gallery/Richard Schoepke, San Francisco, CA

The Pinhole Reource

                  Printed Matter, New York, NY

                  Light Work, Syracuse, NY

The Corporation of Yaddo, Saratoga Springs, NY et. al.

 

 

 

 

 

 

 

 

B I B L I O G R A P H Y

 

 

 

-        San Francisco Chronicle,"Artist at work - Creating art outside the box - No limits: Headlands Center for the Arts pushes boundaries", Friday, April 22nd, 2005, by Ulysses Torassa, Chronicle Staff Writer

-        http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2005/04/22/NBGRSC9B0C1.DTL&type=printable

 

-        The New York Times, "Young and Provocative, Time is on their side", September 12th, 2004, by Benjamin Genocchio

-        Stereo World, “DOWNLOAD ARTICLE: Rebecca Hackemann Reinvents Stereo Photographic Art Form”, 4 page article and back cover, Jan/Feb 2006

-        Cambridge Eye, Cambridge School of Arts Alumni paper, active alumni portrait, 2006

-        3rd floor Magazine, issue 3, August, 2005, portfolio image

-        The Sunday Star Ledger. "Aljira Emerge 2003 presents amazing examples of technique". August 15th 2004, by Dan Bischoff

 

-        "Sight Unseem - at Fishtank Gallery in Brooklyn", March, 2004, by Sara Klar

-        Broadband Properties Magazine, "Broadband, HDTV, and Video Art - An artistic window with a view towards next

          generation broadband services"; June 2005; by Bruce Bahlmann, owner of www.Birds-Eye.Net

-        http://www.birds-eye.net/article_archive/broadband_hdtv_video_art.htm

-         

-        Crain's New York Business, "Arts Group Shows Promise", Sept/Oct, 2003, by Emily deNitto

-        WWD, "Art in Brooklyn", November 20th, 2003

-        Contact Sheet, Essay on photographs by Rebecca Hackemann, published by Light Work Annual, 2003 by Christopher K. Ho

(accompanied by 6 pages of 9 images)

-        NY Arts, “Choice and Consultation at The HOTEL DE LA MOLE: an alt-biannial”, ?/2002, by Horace Brockington

-        Gusto, Art, “The Art of the Game”, Jan 18th, 2002, by Richard Huntington

-        Photo Metro Magazine, Photo contest winners, 2 images, juried by Bill Hunt, 2001

-        Field Study, “We Multiply! – a field study Publication”, catalogue, 2002, Australia

-        The Morning Call, “Artists interpret Fractual Families”, March 25th, 2001, by Tony Sienzant

-        The Morning Call, “Open Space’s ‘Awkwardology’ humorous and uncomfortable”, 1998, by Geoff Gehmann

-        Umbrella, “Artists’ Books at Printed Matter”, review of the book Scaled Down, vol. 20, no 1., January 1997

-        Photo Metro, announcement for Photo Metro contest winners, 1999

-        The Washington Times, “Notable and New”, announcement/review listing, "Salvador Dali: a modern homage to a modern icon", Fraser Gallery1999

-        The Mind’s Eye, 10 pages of images, vol.4 no. 2, 1996

-        The Buffalo News, “At Hallwalls, the world in an untidy set of boxes”, Feb 13th, 1997, by Richard Huntington

-        The Stanford Daily, announcement and image, review, by Wendy Lee, June, 1996

-        The Palo Alto Weekly, announcement, image and article, (writer’s name lost as well as date), 1996

-        The Arizona Daily Star, “Merged Realities”, 1996, by Danielle C. Malka

-        The Mind’s Eye – a Stanford Journal of Expression, 10 pages of images, 1995