R E B E C C A   H A C K E M A N N

Born: Karlsruhe, Germany, British national


2 0 0 0 - 0 1 Whitney Museum of American Art Independent Study Program, New York, NY
1 9 9 4 - 9 6 Stanford University, MFA Studio Art, Stanford, CA
1 9 9 1 - 9 4 University of Westminster (formerly Polytechnic of Central London), BFA(Honors) Film, Video andPhotographic Arts, London, England
1 9 9 0 - 9 1 Cambridge Arts, A - Levels and Art Foundation, Cambridge, England

S E L E C T E D  S O L O  E X H I B I T I O N S

2 0 0 6 California Museum of Photography UC Riverside, "Illusions", traveling historical exhibition on the theme of optical illusion and it's history
2 0 0 5 REAL FORM, on Bedford Ave, curated by David Gibson (postponed), Williamsburgh, Brooklyn, NY
2 0 0 4 Fish Tank Gallery, SIGHT UNSEEM, Dioramas and Stereoscopes with Jihyun Park, Brooklyn (Williamsburgh), NY
2 0 0 3 Hamilton Artists Inc., "In Stereo", Hamilton, ON, Canada
2 0 0 2 Light Work residency and publication in "Contact Sheet", Syracuse, NY
1 9 9 9 Sightings Gallery/Collaboration, San Francisco, CA
1 9 9 6 Sightings Gallery/Collaboration, San Francisco, CA

S E L E C T E D  G R O U P  E X H I B I T I O N S

2 0 0 5 Affordable Art Fair, AAF, blasthaus (SF), New York, NY
  photo sf, art fair, blasthaus, San Francisco, CA
  Headlands Center for the Arts, Open studios as part of 3 month residency, 4/24/05, CA
  Spike Gallery, one day exhibition of "Fresh" artists during auction, curated by Leah Oates, New York, NY
  Nurture Art Gallery, “Paper, Papel, Papier”, Williamsburg, Brooklyn, NY
  Aratoi Museum in Masterton, postcard exhibitio organized by Nicolas Dumit Estevez, Masterton, New Zealand
2 0 0 4

Arrival: intimate Spectacles”, curated by Heng-Gil Han, Flushing Town Hall, Queens, NY
Timeless/Timeliness, curated by Dominique Nahas, catalogue available, Aljira Emerge 2003, Newark, NJ
London Biennale 2004, Draw_drawing, Gallery 32, curated by Giacomo Picca, Lonodn, UK
Los Angeles Center for Digital Art, “Snap to Grid”, Los Angeles, CA
Picture House Center of Photogrpahy, Leicester, UK
Lower Manhattan Cultural Council (LMCC), group exhibition, NYC, NY

2 0 0 3 Fishtank Gallery, group show, Brooklyn, NY
Yaddo residency, one month (April) Saratoga Springs, NY
Nurture Art, group exhibition "2 FRESH" , Williamsburgh/ Brooklyn, NY
16 Beaver Group, "Operation Now, Wow and How", curated by Marc Lepson, private space, New York, NY
Anti - War Poster Show, Drinkink Collective, Macy Gallery, Columbia University, New York, NY
Art*O*Mat -- 'don't go round artless' vending machines, various locations including the Whitney Museum of
American Art
and New Museum Bookshop, New York, NY
Printed Matter, "The Ideal Sight Restorer" and "The Autopsy of an Historian", New York, NY
2 0 0 2 Sotheby's New Collectors, "Moments of Clarity: A Midsummer Night's Interlude", Sotheby's, NYC, NY
Light Work residency, one month, Syracuse, Autoritratto, artists portray themselves, curated by Stafano Parquini, Bolognia, Italy
The European Biennial of Contemporary Art, 'Free Manifesta', Frankfurt, Germany
Exit Art, "Reactions", reactions to 9/11, New York, NY
Nurture Art, 'Fresh' box, benefit, New York, NY
Hallwalls, Buffalo, NY
2 0 0 1 Whitney Museum of American Art ISP exhibition, New York, NY
New Arts Program, Kutztown, PA
Open Space Gallery, "Fractured Family", Allentown, PA

2 0 0 0
Photo Metro Magazine, Honorable mention, editor: Bill Hunt/Ricco Maresca Gallery, NYC
New Jersey Center for Visual Arts, curator: Dan Cameron/New Museum of Contemporary Art, NYC, Summit, NJ
1 9 9 9 Clement Gallery, "Dinner with Dali", Toledo, OH
Fraser Gallery, "Homage to Dali", Washington, DC
Open Space Gallery, "Awkwardology", Allentown, PA
1 9 9 8 Hallwalls, "Books and Boxes" Buffalo, NY
Highland Cultural Center, curated by Paul Kasmin Gallery, Highland, NY
Works Gallery, "Evoking the Unexpected", San José, CA
Sightings Gallery, "Small Works - Big Ideas", San Francisco, CA
1 9 9 6 Four Walls Gallery, San Francisco, CA
Photo Metro Gallery, "Annual Group Showcase", San Francisco, CA
Stanford University Museum of Art, MFA Exhibition, Stanford, CA
Central Arts Collective, "Merged Realities", Tucson, AZ
Printed Matter, "Scaled Down - a Handbook for Fishes about Humans", New York, NY
1 9 9 5 Photo Metro Gallery, "Annual Group Showcase", San Francisco, CA
City of Brae Gallery, "Carte Blanche", Los Angeles, CA
Woman Made Gallery, "Women and Surrealism", Chicago, IL
1 9 9 4 University of Westminster, BFA Exhibition, London, England
Museum of the Moving Image (MOMI), London, England


2 0 0 5 Makor/Steinhardt Center, organized by David Gibson, New York, NY
Headlands Center for the Arts, invitational presentation, Sausalito, CA
2 0 0 4 Pratt Institute, digital photography, visiting artist lecture, Brooklyn, NY
Flushing Town Hall, in conjunction with “Arrival – Intimate Spectacles” exhibition, panel discussion with Heng-Gil Han, Queens, NY
New York Stereoscopic Society, public lecture, Museum of Natural History, New York, NY
2 0 0 3 Light Work public lecture, Syracuse University, Syracuse, NY
The Inc, Hamilton, ON
2 0 0 2 Parsons School of Art and Design, Art Department, senior class, New York, NY
Parsons School of Art and Design, Art Department, senior class, New York, NY
2 0 0 1 Whitney Museum of American Art ISP, slide presentation, New York, NY
1 9 9 6 Stanford University, multiple slide presentation, to undergraduate and graduate art students, Stanford, CA
Stanford University, slide presentation for donors of the Art Department, Stanford, CAA W A R


2 0 0 5 Headlands Center forr the Arts, three month residency, stipend, Marin Headlands, CA
Fondation Valparaiso, one month residency, Almeria Playa, SPAIN (postponed)
2 0 0 3 Yaddo, one month residency, Saratoga Springs, NY
2 0 0 2 Light Work,one month residency, stipend, publication in "Contact Sheet catalogue" June 2003,
Syracuse, NY
Aljira Emerge 2003, Newark, NJ
2 0 0 0 – 0 1

Whitney Museum of American Art, ISP, studio space for one year in Manhattan, NY
2 0 0 0 Photo Metro Magazine, 17th Annual Photo Contest, juror: Bill Hunt/Ricco Maresca Gallery, Honorable Mention and publication, San Francisco, CA
1 9 9 4 - 9 6 Stanford University, graduate tuition, stipend, studio space, Stanford, CA
1 9 9 7 Women's Studio Workshop, Artists' Residency, Rochester, NY
1 9 9 4 University of Westminster, funding for thesis research on "Diableries" stereocards form Paris
1860's, London, England

C O L L E C T I O N S / B O O K S

MOMA book collection, New York, NY
Museé Français de la Photographie, Bievres, France
Fondation Suisse pour la Photographie, Zürich, Switzerland
Staatliche Museen zu Berlin, Kunstbibliothek, Berlin, Germany
Museum für Moderne Kunst, Frankfurt, Germany
Museum für Photographie, Braunschweig, Germany
Special Collections, Green Library, Stanford University, Stanford, CA
Sightings Gallery/Richard Schoepke, San Francisco, CA
Printed Matter, New York, NY
Light Work, Syracuse, NY
The Corporation of Yaddo, Saratoga Springs, NY et. al.

S E L E D T E D       B I B L I O G R A P H Y

- San Francisco Chronicle,"Artist at work - Creating art outside the box - No limits: Headlands Center for the Arts pushes boundaries", Friday, April 22nd, 2005, by Ulysses Torassa, Chronicle Staff Writer

- The New York Times, "Young and Provocative, Time is on their side", September 12th, 2004, by Benjamin Genocchio

- The Sunday Star Ledger. "Aljira Emerge 2003 presents amazing examples of technique". August 15th 2004, by Dan Bischoff

- Art and Letters, "Sight Unseem - at Fishtank Gallery in Brooklyn", March, 2004, by Sara Klar

- Broadband Properties Magazine, "Broadband, HDTV, and Video Art - An artistic window with a view towards next generation broadband services"; June 2005; by Bruce Bahlmann, owner of www.Birds-Eye.Net
- http://www.birds-eye.net/article_archive/broadband_hdtv_video_art.htm

- Crain's New York Business, "Arts Group Shows Promise", Sept/Oct, 2003, by Emily deNitto

- WWD, "Art in Brooklyn", November 20th, 2003

- Contact Sheet, Essay on photographs by Rebecca Hackemann, published by Light Work Annual, 2003 by Christopher K. Ho
(accompanied by 6 pages of 9 images)

- NY Arts, “Choice and Consultation at The HOTEL DE LA MOLE: an alt-biannial”, ?/2002, by Horace Brockington

- Gusto, Art, “The Art of the Game”, Jan 18th, 2002, by Richard Huntington

- Photo Metro Magazine, Photo contest winners, 2 images, juried by Bill Hunt, 2001

- Field Study, “We Multiply! – a field study Publication”, catalogue, 2002, Australia

- The Morning Call, “Artists interpret Fractual Families”, March 25th, 2001, by Tony Sienzant

- The Morning Call, “Open Space’s ‘Awkwardology’ humorous and uncomfortable”, 1998, by Geoff Gehmann

- Umbrella, “Artists’ Books at Printed Matter”, review of the book Scaled Down, vol. 20, no 1., January 1997

- Photo Metro, announcement for Photo Metro contest winners, 1999

- The Washington Times, “Notable and New”, announcement/review listing, "Salvador Dali: a modern homage to a modern icon", Fraser Gallery1999

- The Mind’s Eye, 10 pages of images, vol.4 no. 2, 1996

- The Buffalo News, “At Hallwalls, the world in an untidy set of boxes”, Feb 13th, 1997, by Richard Huntington

- The Stanford Daily, announcement and image, review, by Wendy Lee, June, 1996

- The Palo Alto Weekly, announcement, image and article, (writer’s name lost as well as date), 1996
- The Arizona Daily Star, “Merged Realities”, 1996, by Danielle C. Malka
- The Mind’s Eye – a Stanford Journal of Expression, 10 pages of images, 1995